13-films-from-2021-that-wrongly-failed-and-worth-getting-back-!

13 Films From 2021 That Wrongly Failed And Worth Getting Back -!

13 films of 2021 films that failed unfairly and deserves the worth recovering -!

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13 movies about 2021 that failed unfairly and are worth recovering -!

13 films of 2021 films that failed unfairly and deserves the worth recovering -! We have explained the details of the news, step by step, below. 13 2021 films that failed unfairly and are worth recovering -! Keep reading our news. Here are all the details on the subject.

13 movies about 2021 that failed unfairly and are worth recovering -!

Some of you will already be a little tired of the reviews of the best of last year, but I could not resist making a final list. On this occasion I have chosen to review 13 films that arrived in Spain in 2021 and that unfairly failed at the box office, to the point that some were not even seen in cinemas in our country. They are not necessarily the best, but they are well worth it and, if you have not seen them already, I hope you will take them into account during this 2022 we just welcomed.

‘Those Who Wish me Dead’ (‘Those Who Wish me Dead’)

One of the great victims of Warner’s simultaneous release policy was this remarkable thriller by Taylor Sheridan . Its budget was not made official, but it was a huge failure when it hit theaters, adding just 23 millions of dollars worldwide. For my part, I really enjoyed the way he handled the tension, without falling into unnecessary excesses and letting his characters breathe so that we can care what is theirs.

Criticism in Espinof

‘Benedetta’

With an estimated budget of 24 million dollars and a meager global income of just over three million, the excellent last work of Paul Verhoeven fell far short of expectations. In it he tackled a singular real case, always playing the misconception about the true condition of his protagonist. A look at faith marked by all kinds of excesses but with an incomparable power of seduction.

Criticism in Espinof

‘A Question of Blood’ (‘Stillwater’)

Not even have a star like Matt Damon or a budget content of 20 millions of dollars were used to convert Tom McCarthy (‘Spotlight’) in a success, as it stayed at 19 million worldwide revenue. A pity, since it is a very estimable thriller in which Damon shows how far a father can go to try to free his daughter from what seems like a totally unjust sentence.

Criticism in Espinof

‘The Suicide Squad’ (‘The Suicide Squad’)

The DC movie seemed like a safe bet with the signing of James Gunn and at the time of the It really fell far short of expectations with a worldwide box office of 167 million dollars against a budget of 185 . You can look for several reasons for its failure, from the simultaneous premiere on HBO Max to the confusion about what exactly it was about ‘Suicide Squad’, but the really important thing is that it is a luxury hobby and the best that this universe has given us. of superheroes to date.

Criticism in Espinof

‘The substitute’

Almost three million dolars cost the new film by Óscar Aibar and after passing through theaters Spaniards barely add dolars. Much more deserved this remarkable thriller that investigates how some Nazis took refuge in Spain, enjoying great impunity. A solid work well led by a Ricardo Gómez always convincing, both when he has an attitude something more idealistic as when frustration takes hold of him.

Criticism in Espinof

‘The Last Duel’ (‘The Last Duel’)

Damon gave two of the best performances of his career in . Of course, the blow was harder for a species of ‘Rashomon’ by Ridley Scott , already which cost 124 millions of dollars and barely entry 30. Something difficult to understand, because its cast shines (until Ben Affleck in a supporting role) , is very well directed and knows how to play with the different nuances when portraying the same story from three different points of view.

Criticism in Espinof

‘En un barrio de Nueva York’ (‘In the Heights’)

The 2020 was an unfortunate year for musicals in cinemas and the first film to be affected by it was this adaptation of the famous musical theater by Lin-Manuel Miranda . Just under 44 million dollars of revenue when its cost of production was 55 millions. It did not matter how much the optimism that shines as a flag infects, how well chosen its cast is or how fluid it is in all aspects.

Criticism in Espinof

‘The summit of the gods’ (‘Le Sommet des Dieux’)

This excellent French animated film was never even seen in Spanish cinemas. Here it came to us directly from the hand of Netflix and without doing too much, but it is not that in his country of origin was too good, as he barely raised more than 1 million dollars when his budget was close to the 10 of dolars. Adaptation of the manga by Jiro Taniguchi that explores the world of mountaineering that tackles with great precision and achieving completely immerse the viewer in the story it tells.

‘Maligno’ (‘Malignant’)

The news of James Wan did not generate as much unanimity as his previous works in horror films, But it is that here he chose to give himself a tribute, drinking from other more discussed works to offer a somewhat uneven film, yes, but with no type of shame and with enough incentives to hook those who want something different within the genre of great study. Unfortunately, the public did not respond in theaters, as their 34 millions of dollars entered fell short of its budget of 40 millions.

Criticism in Espinof

‘The Empty Man’

Quickly turned into a cult film after its disastrous performance at the box office in the United States, not that it cost too much, since it had a budget of 16 millions of dollars, but he did not even enter 5 million. A disgrace, since it is a work of adult horror with personality and that knows how to create its own universe, starting with that sensational and extensive prologue. It came to Spain directly via streaming, first via Movistar + and then becoming part of the Disney + catalog.

Criticism in Espinof

‘One of us’ (‘Let Him Go’)

This film written and directed by Thomas Bezucha cost 21 millions of dollars and raised just over 11 millions during his time in cinemas around the world -his career began in 2020 but Spain did not reach us until this year. It is a drama with western echoes in which the marriage formed by some great Kevin Costner and Diane Lane decides to do everything possible to get her grandson back. A film that is gaining in intensity until it becomes a powerful thriller during its last act.

Criticism in Espinof

‘Last Night in Soho’ (‘Last Night in Soho’)

The horror thriller written and directed by Edgar Wright cost 43 million dollars and accumulates a worldwide box office of 23. It is true that its ending can leave a bittersweet taste in the mouth, but before it was an absorbing set of mirrors with an elaborate visual finish that dedicates its time to outlining both the story and its characters.

Criticism in Espinof

‘West Side Story’

It may perform better if it performs well in awards season, but this new take on the legendary musical takes little less than a miracle to be profitable, as it cost 100 millions of dollars and has just raised 41. Steven Spielberg offers here a respectful version of the original work but without fear of updating the details that see fit. All this with a first-rate visual finish, thus more than compensating for the drawbacks that one may have with the story it tells.

Criticism in Espinof